11/9/16
- 2 groups went and performed today
- Advice they received
- Make actions clearer
- Enunciate more, articulate your words, don’t have them slur or blend together. Don’t mumble, but don’t overdo it either.
- Motions help show actions, make them more prominent
- Don’t just throw out lines, deliver them with meaning
- TALK SLOW
- Address your group partners because you’re having an actual conversation with them, but not as group partners, as characters from the play.
- Get committed to the part, use physical contact, think and move realistically, speak with conviction
- Don’t be afraid to touch other people. If Friar Lawrence thinks Romeo needs a pat on the shoulder, the Friar Lawrence is going to give him that pat.
11/10/16
- Stay in character, don’t fidget/stutter
- Enunciate more
- Staying in character isn’t just about facial expressions and speaking, it’s about your entire body.
- Know your lines
- You’re not Kathleen, you’re Friar Lawrence.
- Face the audience, don’t ever have your back completely turned to them
- Accommodate/mime flowers and a basket with your actions.
- Stop breaking character
- Work on vocalizing lines with rhymes and patterns, make them flow instead of just throwing them out.
- Reciting lines blankly is not staying in character
- Talk slower
- Stand to greet Romeo before you jump up and yell “GOD PARDON SIN!”, it will make it much less startling/surprising/disorienting to the audience
- Stuff to memorize
- The middle of some monologues
- The entire last one
- Work on visuals/facial expressions, don’t give poker faces the entire time
- Write physical/emotional reactions to your partner’s lines in your scripts to help with this
- Fidgeting makes you look less like the sagely Friar Lawrence and more like “actor in training who doesn’t really know what to say or do.”
- Be aware of each other’s presence on stage and make sure you’re not blocking the audience’s view of each other
- Don’t overplay emotions, make them realistic and not overdone or non-existent.
- Make it clearer to your identity and where you are, especially in the beginning of the scene. Avoid unnecessary confusion.
Misc. Notes:
- Overdoing emotions and expressions extends to miming props as well. Don’t make it look overdone or exaggerated because that reduces the realism.
- Don’t focus too much on the lines because that’ll reduce your actions and make you look less in character
- Missing a few lines *should* be a little bit okay so as long as it’s not too much or very important/relevant to the script/play.
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