Monday, November 14, 2016

Performance Log

11/9/16
  • 2 groups went and performed today
  • Advice they received
    • Make actions clearer
    • Enunciate more, articulate your words, don’t have them slur or blend together. Don’t mumble, but don’t overdo it either.
    • Motions help show actions, make them more prominent
    • Don’t just throw out lines, deliver them with meaning
    • TALK SLOW
    • Address your group partners because you’re having an actual conversation with them, but not as group partners, as characters from the play.
    • Get committed to the part, use physical contact, think and move realistically, speak with conviction
    • Don’t be afraid to touch other people. If Friar Lawrence thinks Romeo needs a pat on the shoulder, the Friar Lawrence is going to give him that pat.
11/10/16
  • Stay in character, don’t fidget/stutter
  • Enunciate more
  • Staying in character isn’t just about facial expressions and speaking, it’s about your entire body.
  • Know your lines
  • You’re not Kathleen, you’re Friar Lawrence.
  • Face the audience, don’t ever have your back completely turned to them
  • Accommodate/mime flowers and a basket with your actions.
  • Stop breaking character
  • Work on vocalizing lines with rhymes and patterns, make them flow instead of just throwing them out.
  • Reciting lines blankly is not staying in character
  • Talk slower
  • Stand to greet Romeo before you jump up and yell “GOD PARDON SIN!”, it will make it much less startling/surprising/disorienting to the audience
  • Stuff to memorize
    • The middle of some monologues
    • The entire last one
  • Work on visuals/facial expressions, don’t give poker faces the entire time
    • Write physical/emotional reactions to your partner’s lines in your scripts to help with this
  • Fidgeting makes you look less like the sagely Friar Lawrence and more like “actor in training who doesn’t really know what to say or do.”
  • Be aware of each other’s presence on stage and make sure you’re not blocking the audience’s view of each other
  • Don’t overplay emotions, make them realistic and not overdone or non-existent.
  • Make it clearer to your identity and where you are, especially in the beginning of the scene. Avoid unnecessary confusion.
Misc. Notes:


  • Overdoing emotions and expressions extends to miming props as well. Don’t make it look overdone or exaggerated because that reduces the realism.
  • Don’t focus too much on the lines because that’ll reduce your actions and make you look less in character
  • Missing a few lines *should* be a little bit okay so as long as it’s not too much or very important/relevant to the script/play.

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